catalogue
exhibition images

The Weight of Jupiter
By Megan Dunn

The day of the opening the hue above the hills of Upper Hutt was apricot. The light diffused, faint as a Rothko. The sea a blue sliver of shining knifae. The students were graduating and I came out of the shop at lunch time and watched them walking along Lambton Quay in their black caps and capes, each degree a splash of colour. Pale pink for the arts. The bagpipes ushered the smiling students along. It was a day to reflect on success, a rite of passage. The future awaits and it doesn’t always come with a ribbon. Later, I trudged towards the exhibition opening in the dark of night, abandoning another day in retail and preparing for the satellite world of contemporary art.

Up the top of the narrow stairs the three works at Enjoy exhibited a lightness of touch, their meaning was vaporous, difficult to grasp. Planes of color – or its deficit washed over the walls. On the wonky wooden floorboards, 50 yards of bright green ribbon was curled into a nest. This work had so much kinetic potential. I wanted to drop a cat, wild of temperament and claw, into its midst. Once, years ago, I arrived home to my Fathers house to find reams of toilet paper curling along the corridor. My Father’s cat (the artist) sat at the end of this trail, licking its paws.

The ribbon was the most problematic work. Splashed on the floor the loopy green ribbon accentuated the pink blush of Lisa Benson’s nearby abstract photograph. These two works were clearly getting on well together. But how was I meant to respond to the ribbon? With delight or quiet outrage? Or perhaps just a cynical smirk? At the very least I managed not to step on it during the opening. That’s one of the many problems of installation art: you have to be careful not to put your foot in it. Sprawled on the floor like a drunken gallery goer, the ribbon was an organised mess. But who said contemporary art has to behave?

I considered the artist, Rossana Martinez, in her moment of play, like the cat, working freely with her materials. The forces that drove her were probably mostly sub-conscious. Later I found out the artist emailed the gallery a set of instructions from New York. The ribbon was hard to find, eventually located in a bridal shop in the depths of Palmerston North – via cyberspace. Martinez requested that her work be arranged in a hill formation – a homage to New Zealand, home of many hills and paintings about hills! A volunteer had stood on a ladder and looped the bridal ribbon into a mound. This seemed a satisfying conclusion for the ribbon, freed at last from the bridesmaid’s skirt.

Lisa Benson’s photographic work on rice paper was that touch of early morning Rothko I glimpsed over the glittering lights of Petone. This was a delicate work, pink hued and pretty but not in a Katy Perry kind of way. The lines of colour were at once reminiscent of Wellington sunrises, frequently salmon over a metallic wedge of sea. Yet, there was also a futuristic angle at work – the palette and planes of Logan’s Run. There was a quiet confidence here and the process was subtle too: the artist’s materials consisted of gathered light. John Hurrell has called Lisa Benson ‘the most exciting photographer’ working in NZ today. Trawling her website, I’m not surprised to find photographs of sparkling snowscapes, decidedly lunar in appearance.

The long and large wall painting by Zoe Rapley was hard to see at the opening. People were standing in front of it, wine or beer in hand – white shoes worn with panache, a whiff of corduroy. Rapley’s work was slightly buckled like a massive piece of a house coming away. For an ant this work could have been the surface of the moon. My first instinct was that I’d like to look at the painting (is it a painting?) lying on the floor. This would also have been easier for the ant. Intricate charcoal swirls covered the right hand corner. The gases of Jupiter? The doodles of an obsessive day dreamer? Or the topography of a map taken from a satellite suspended in the depths of space? The work emitted a sense of melancholy. It felt distant. Although I was told the artist’s studio is in Lyall Bay. This seemed apt. Lyall Bay has always been a windswept place, the houses along the beach are battered and worn by the onslaught of sand and sea. I could imagine the wind howling off the shore as Rapley, rolled her paint. She had presented us with a panoramic view of the surface: but what do we see?

Just what is the weight of Jupiter – 50 yards of green bridal ribbon? When is a photograph like a vapor? The hands of the artists dipped in and out of each work. Erica van Zon, the curator, wanted the exhibition to touch on the sublime. Enjoy is a gallery that supports these strange migrations into the mind. On earth we like to look at the solar system and marvel at the planets as though we are something apart. Back down on the ground in Wellington, the national Budget was about to be announced, and it wasn’t going to be pretty. Somewhere underneath Jupiter’s surface of gases there must be a solid crust…

You Can Sing Me Anything, 2011
Installation at Enjoy Public Art Gallery, Wellington, New Zealand
Green ribbon
Photos: Lance Cash

You Can Sing Me Anything was part of a three person exhibition entitled The Weight of Jupiter in Wellington, NZ. The exhibition, curated by Erica Van Zon, included work by Lisa Benson and Zoe Rapley.

For the installation, I wanted to create a hill of green with the simplest materials. The idea was to convey my experience visiting New Zealand in 2007. During my visit, I made a note about how the landscape, shapes and colors reminded me of the Caribbean — where I grew up. But at the same time, I noticed how different the types of trees, hills and green hues are found in New Zealand to those found in the Caribbean. This connection to me represented the perfect balance of nature.

Known for art that celebrates the virtues of community, hard work, and living gently on the planet, Nikki McClure here explores a topic close to her heart: the farmers market. Alternating between story and fact, this lovingly crafted picture book follows a mother and son to the weekly market. As they check off items on their shopping list, the reader learns how each particular food was grown or produced, from its earliest stages to how it ended up at the market. To Market, to Market is a timely book that shines awareness on the skill that goes into making good food.

-Editorial review from Amazon

Happy summer!

“The future belongs to those who believe in the beauty of their dreams”
-Eleanor Roosevelt

Teaching Kids to Think Big
By Caleb Gardner

My parents always focused on the outputs of what they saw as a successful life: get a steady job, get married, have kids, open a 401(k), die as materially well-off as possible… But I think this is where we can change the definition of success for our son. I’d much rather encourage him to do something he loves, to make a difference, to think for himself – to live life to the fullest. The outputs can be a natural extension of that, but I’d rather focus on the outcomes of a life well-lived.

story continues…

The Bilingual Advantage
By Claudia Dreifus

There are two major reasons people should pass their heritage language onto children. First, it connects children to their ancestors. The second is my research: Bilingualism is good for you. It makes brains stronger. It is brain exercise.

story continues…

Thank you Erica and Enjoy for this opportunity!

The Weight of Jupiter
On view May 19 – June 11, 2011
Opening next Tuesday, May 17, 6pm
Enjoy Public Art Gallery, Wellington, New Zealand

Consisting primarily of gaseous and liquid matter, the atmospheric composition of Jupiter renders the gas giant without a solid surface; seemingly appropriate, considering it was named after the Roman God of Sky and Thunder. To navigate the landscape of Jupiter’s surface, would require a submarine type vessel – one that could withstand the sheer mass of Jupiter’s gravitational force, without surrendering and being subsumed into it’s string of satellite bodies. The works of Lisa Benson, Rossana Martinez and Zoë Rapley in The Weight of Jupiter captures the possibility of a momentary exploration. The nature of the works evoke a delicate and ephemeral experience through the simplicity of materials. Somewhat fleeting in nature, their dynamic offers a quiet consideration into the ways the processes of production were able to develop and unfold.

Martha Graham’s choreography embodied by a Google doodle
By Ben Quinn at The Guardian

Martha Graham, the American dancer and choreographer whose name became synonymous with ‘modern’ or ‘contemporary’ dance, is celebrated in Google’s latest doodle today, marking her 117th birthday.

In an eleborate piece of animation, the doodle is based on a dancer who performs a series of striking, Grahamesque routines to spell out the six letters of the search engine’s name.

Graham, whose influence on modern dance has been likened to the legacy of Pablo Picasso and Frank Lloyd Wright in their own spheres, passed away at her home in Manhattan in 1991 at the age of 96.

However, she had sealed her place long before then in the pantheon of great artistic revolutionaries of the 20th century, having been credited with developing a new and codified dance language that smashed the traditional mold and established itself as a lasting alternative to the older ballet tradition.

According to Time magazine: “Her fierce choreography sometimes amazed and sometimes horrified, but in it she embodied modern dance — arrogantly and spectacularly.”

Initially acclaimed as a great dancer in her own right, the Pittsburgh-born daughter of a Victorian-era mental health physician, she contined to perform late on in to her life and left the stage at the age of 75 when she gave her final performance in 1969.

Graham choreographed more than 180 works, looking on enviously later in life at young dancers performing in her signature style, based upon contraction and release of the body.

Her legacy lives on in the techniques used by dance companies around the globe, including the Martha Graham Dance Company, which has continued to develop contemporary dance since its founding in 1926, often rooting works in contemporary social and political contexts.

Mother’s Day is every day, but I welcome all the love this weekend and…since tulips are my favorite flowers — I’ll take them!

Running after a very active toddler and attempt to find balance as an artist is a challenge. But this active and happy boy is a huge part of what I am. Having kids gives us busy adults such fresh perspective on how to enjoy great and simple things.

Happy Mother’s Day!

Toddler Behavior Adults Should Try
By Chemistry Mama

What I Am
By Will.i.am

If what I am is what’s in me
Then I’ll stay strong – that’s who I’ll be
and I will always be the best
me that I can be.

There’s only one me, I am it
have a dream I’ll follow it
It’s up to me to try.

Oh! I’m a keep my head up high
Keep on reaching high
Never gonna quit
I’ll be getting stronger.

And nothing’s gonna bring me down (no!!)
Never gonna stop, gotta go.
Because I know
I’ll keep getting stronger.

And what I am is thoughtful
what I am is musical
what I am is smart
and what I am is brave
what I am is helpful
what I am is special
There’s nothing I can’t achieve.
Because in myself I believe in oh

Gonna keep our heads up high
Keep on reaching high
Never gonna quit
Just keep getting stronger.

And nothing’s gonna bring us down (no!)
Never give it up, gotta go.
Because I know
I’ll keep getting stronger.

What I am is super
what I am is proud
what I am is friendly
what I am is grouchy
what you are is magical
what you are is special

There’s nothing I can’t achieve.
Because in myself I believe in oh

Gonna hold my head up high
Keep on reaching high
Never gonna stop
I’ll be getting stronger.

Nothing’s gonna bring me down (no!)
Never give it up gotta go, oh… yeah…
I’ll keep getting stronger.

-Grete Waitz (1953-2011)

From NYRR:
Grete Waitz, nine-time New York City Marathon winner, four-time world marathon record-setter, and four-time Olympian, has died after a long battle with cancer. She was 57.

A native of Norway, Waitz kept a home in New York City and was a great friend of NYRR. She was instrumental in founding our now-nationwide youth programs and was a current NYRR board member. We all mourn the loss of a great champion in life as well as in sport.

Statement from Mary Wittenberg
“We are sad to lose a dear friend and our most decorated champion, Grete Waitz, who passed away today. Her strength and grace throughout her fight with cancer were incredible, and when so many people would have crumbled she stood strong and positive.

“Grete was a great champion in life as well as in sport. Grete is forever part of NYRR, and we treasure every moment we had with her. Her legacy lives on through the ING New York City Marathon, Grete’s Great Gallop, the NYRR New York Mini 10K, and our youth programs. She was deeply important in making our marathon what it is today, and she inspired generations of women, including athletes like Paula Radcliffe and Deena Kastor. That inspiration will continue.

“We will forever celebrate Grete in our hearts and as an inspiration and role model for women’s running.

“If Grete had to go, it is somehow fitting that she lived until the day after one of the greatest weekends in the sport of marathon running.”

—Mary Wittenberg, President and CEO, New York Road Runners

more info…

slide show…

Lamentation
Choreography and Costume by Martha Graham
Music: Neun Klavierstücke, op. 3. no. 2 by Zoltán Kodály
Premiere: January 8, 1930 at Maxine Elliott’s Theatre, New York City

I just had a chance to see this wonderful installation after an early work meeting and on my way to the office. The experience was magical! Simple moments like this are the reason why I love this city…

Infinite Variety: Three Centuries of Red and White Quilts
The American Folk Art Museum has dramatically transformed the Park Avenue Armory’s historic 55,000-square-foot Wade Thompson Drill Hall with the installation of 650 red and white American quilts, all of which are on loan from the collection of Joanna S. Rose. It is the largest exhibition of quilts ever held in the city. This magical but ephemeral moment will ultimately be captured in the pages of a fully illustrated catalog copublished by the American Folk Art Museum and written by Elizabeth V. Warren, guest curator of this spectacular presentation.

more info…

Color Moves: Art & Fashion by Sonia Delaunay
Cooper Hewitt, National Design Museum
On view until June 5, 2011

From exhibition’s website:

“Sonia Delaunay (1885-1979) was an a modern artist and designer who merged art and everyday life… More than any other medium, textiles proved her idea that color was ‘the skin of the world’…”

From New York Times review:

“I have lived my art,” she declared on more than one occasion, and indeed she had. Adamantly ignoring the stifling distinctions among the categories of fine, decorative and utilitarian art, she painted, sewed, drew, embroidered, stenciled and above all designed her way through a long, eventful life, guided by an inborn faith in color’s visionary force and a survivor’s instinct for adaptation. An important artistic turning point that confirmed her interest in the clash of forms and color that she and Robert called “simultaneity” was simply a patchwork coverlet she made for their son in 1911; in 1962 she proudly wrote a friend that it was “nowadays shown in art galleries as one of the first abstract paintings.”

complete review…

Image:
Still from film Le P’tit Parigot
Written by Paul Cartoux
Directed by René Le Somptier
France, 1926
Collection Antoine Blanchette

If You Never Did, You Should
By Jessica Bellofatto

“If you never did, you should. These things are fun, and fun is good.” ~Dr Seuss

Happy birthday to Dr. Seuss (born March 2, 1904) and what a fantastic message to us all. As I prepare for our women’s Yoga and SUP retreat with my friend Gina Bradley (founder of Paddle Diva) here in Rincon, Puerto Rico, these words most definitely resonate with me.

story continues…

Arevalo Gallery: Merging with the Greats
By Manuela Gabaldon

The whole article is wonderful, but loved this sentence:

“He is on a clear mission to communicate the importance of understanding the life of a piece – why it was made, where it was made, and how it came to be here, before our eyes.”

If you go or live in Miami, don’t miss this awesome space. Congrats Francisco!

Last week, I was fortunate to present a new project at Towson University in Maryland. The exhibition curated by Prof. Susan Isaacs and entitled Fluid celebrates the 75th anniversary of the American Abstract Artists.  I was in great company with friends and artists, Lynne Harlow and Marthe Keller. The whole experience was simply wonderful — from the train from NYC to Maryland, the university and all the beautiful community who joined us for the opening. Universities have the most amazing energy and are so full of creativity.

I’ll be adding more images and information soon, but for now here is an image of the evening’s performance/collaboration with TU’s Dance department students and Prof. Vincent Thomas (VTDance) …which was absolutely inspiring.

Thank you Susan, Vince and all at TU!

Image:
Rossana Martinez
Wrap Yourself Around Me, 2011
Installation/performance with reused fabrics, artist book and ribbon

Among the many reasons I couldn’t find time to write is that I have been having longer, deeper runs. Yes, my usual 3-mile runs have matured into 6, 7 and lately 8 miles. Longer runs make me feel great and have me inspired and playing in the studio much more. I’m still thinking about it, but I may run a half-marathon next year. As you can see in the photo, I have an incredibly active trainer who keeps me on the move in running and non-running days.

As part of my job, I’ve been taking an interesting class and traveling around the city. I like that I’m spending more time meeting people, and visiting and learning about new places in the city. There are days that my commute is so long, but to see the positive side of it, at least I’m not in front of a computer all day.

At the beginning of the month, we traveled to Miami for the opening of Matthew’s two-person exhibition (with David E. Peterson) at Alejandra von Hartz Gallery. It’s nice how art takes you to places. Loved her gallery space and the exhibition (on view thru Oct. 30) has great energy and dialogue. The art world needs more galleries like hers. Alejandra has such a friendly and welcoming personality. Congratulations Matthew and David!

Image:
Michelangelo
Sistine Chapel
fresco
ca. 1511

Finding of the week:

“We always need to remember that behind almost every great moment in history, there are heroic people doing really boring and frustrating things for a prolonged period of time.”

From New York Times, My Favorite August by Gail Collins.

If you want to get a real view of what an artist’s life is all about, check out Julian Dashper (1960-2009): It Is Life at MINUS SPACE. On view from August 7 until September 4, 2010. A must see, read, experience, feel.

In 2007, I wrote the post, Your Heart Makes Me Feel, after I read a wonderful tribute to artist Elizabeth Murray (1940-2007) in The Brooklyn Rail. Since then my feelings about the connection between art & life have only deepened more…

As Robert Gober wrote: “…art comes out of life, and that you had better pay attention.”

Image:
Julian Dashper (1960-2009): It Is Life, MINUS SPACE

Hope you’re all having a great summer. Here are some of my summer thoughts after having a wonderful time with family and at my favorite place: the beach.

It pleases me immensely to see how my boy loves the ocean. He was born in NYC, but his blood is Caribbean…and I truly love that!

Fruit and vegetable stands, surf shops and Rex Cream’s Ice Cream are my kind of places.

<3 running barefoot on the beach. I know I’ll be fine in a couple of days, but it was hard to run this morning and wear running shoes.

A bikini never goes out of fashion.

My nieces and nephews are awesome! When I grow up, I want to be just like them.

Photo:
7am swim with mama.

Swimming in the Caribbean. Surrounded by family and nature. I’m counting the days…

Where is yours?

Where is My Mind
By The Pixies

Oh
With your feet in the air and your head on the ground
Try this trick and spin it, yeah
Your head will collapse
But there’s nothing in it
And you’ll ask yourself

Where is my mind

Way out in the water
See it swimmin’

I was swimmin’ in the Caribbean
Animals were hiding behind the rocks
Except the little fish
But they told me, he swears
Tryin’ to talk to me, coy koi.

Where is my mind

Way out in the water
See it swimmin’ ?

With your feet in the air and your head on the ground
Try this trick and spin it, yeah
Your head will collapse
If there’s nothing in it
And you’ll ask yourself

Where is my mind

Oh
With your feet in the air and your head on the ground
Oh
Try this trick and spin it, yeah
Oh
Oh

“The critic has to educate the public; the artist has to educate the critic.”

-Oscar Wilde

“Yoga is about the union and integration of breath, movement and body, both on and off the mat. Our practice on the mat should hopefully guide us towards actions in the outside world: if we observe our actions on the mat, perhaps we can all try to apply them to the outside world, and together, in a united way, we can make a difference.”

Green Goa: Green Yoga, Karma Yoga and the Art of Transforming Practice to Life by Inna Costantini. UK Yoga Magazine, July 2010.

Happy summer!

Here I am, thinking of tomorrow’s NYRR New York Mini 10K. My first “big” race after baby. Feeling excited. I ran this race in 2008 and the experience was awesome. This is a women only race and it is truly amazing to see a sea of women running in Central Park.

My main goal tomorrow is to apply what I’ve learned from my active 15-month old boy and that we as adults forget to do often — run, run, run and just have fun!

A friend sent me this quote a couple of weeks ago — and it is so true:

“You should study not only that you become a mother when your child is born, but also that you become a child.”

-Dogen Zenji (1200 – 1253)

My first experiment with triangle pose was a couple of years ago. I created an installation with colored rubber bands entitled, Space Between. I didn’t set many rules while installing, I just knew I wanted to create a connection between triangles and colors. I began the installation — on what first felt as a huge wall space — slowly and carefully making triangles. But as I continued making triangles, the installation felt as a yoga practice — it began to flow naturally.

These days I continue to explore triangle pose — both — on my mat and in my home/studio. I’ll be posting images of this new set of triangles soon. I’m excited.

Oh, and how much I love google… While researching triangle pose, I found these great articles: Angle of Repose by Julie Gudmestad and Triangle Pose by Teri Leigh.

Enjoy!

Image:
Rossana Martinez
Space Between, 2007
Rubber bands

I’m happy to write that the site-specific installation, Crash into Me will be on view this summer at el Museo de Arte de Caguas (MUAC), Puerto Rico.

There is lots to see in Caguas. The city is called the heart of Puerto Rico. The community is so friendly — including my amazing sisters who live there. It’s truly an honor.

I thank artist and curator Elsa Melendez for inviting me to participate in the exhibition. And as always, it’s a pleasure to be in the company of great artists.

Gracias Elsa!

Image:
Rossana Martinez
Crash into Me, 2007-2010
Site-specific installation
Fluorescent orange and hot pink ribbons

Part of group exhibition, No fue un mal entendido, on view at MUAC from June 4-September 30, 2010.

Artists: Claudio Chea, Ricardo Hernández, Rossana Martínez, Néstor Millán, Omar Obdulio Peña, Brian Rivera, Miguel Angel Torres, Cristina Tufiño, Rafael Vargas Bernard y el grupo de teatro, Papel Machete.

Photo contest submission by Jennifer Day
From We Love Birds, a site for bird-lovers from the Natural Resources Defense Council (NRDC) and the Cornell Lab of Ornithology.

Dorothea Tanning
Costume Design for Bayou, 1951
Graphite and gouache on green paper
12 1/2 x 9 1/2 inches
Collection of the artist

On view Dorothea Tanning: Early Designs for the Stage at the Drawing Center, April 23 – July 23, 2010.

Finding of the week:

“A arte é a minha forma de conhecimento do mundo”

“Art is my way of understanding the world”

-Lygia Pape

Image:

Lygia Pape
Magnetized Spaces, 1968-2002
Spaces of the city

We’ve been having glorious days filled with beautiful colors and sun. The weather always inspires me to choose what to experiment with in the kitchen. I have two new favorites: quinoa and kale. Cooking them is simple, their benefits are plenty and they taste great.

I was about to write about the benefits of kale when I found all I wanted to say (and more) in the great Brooklyn blog — Butter Beans Kitchen. This is a must read blog if you love real food. I agree with what they write about their blog:

“…If we want quality lives full of goodness, we have got to learn to make good choices about the food we plant and the food we eat. We have got to spend some more time in the kitchen and appreciating the food we have.

We have to teach our children, in a way that makes them want to celebrate. What could be more magical than the colors and tastes and sights that the Earth produces with sunshine, rain and a few pairs of dedicated hands…”

And here is the information about kale:

Kale — in April’s glow by Butter Beans Kitchen. They will add kale recipes this month.

Enjoy!